A rare complete set of two antique prints showing in great detail the famous Superb Paradise Bird or Greater Lophorina, two male adults . Published in Paris France in the year 1835 (first edition) in "Histoire Naturelle Des Oiseaux De Paradis" (Natural History Of Birds Of Paradise), the first and most comprehensive work on birds of paradise entitled until John Gould's great monograph started appearing 20 years later. By René Primevère LESSON (1794-1849), a surgeon, pharmacist, naturalist on the round-the-world scientific voyage of the corvette La Coquille (1822-1825), led by Jules-Sébastien-César Dumont D'URVILLE (1790-1842) and Louis-Isidore DUPERREY (1786-1865).
The greater lophorina, superb-bird-of-paradise, or greater superb bird-of-paradise (Lophorina superba) is a species of the Paradisaeidae (bird-of-paradise) family. It was considered the sole species in the genus until in 2017 it was recognised that there were three species (L. superba, Lophorina minor, and Lophorina niedda). It is a small, approximately 26 cm long, (passerine) bird. The male is black with an iridescent green crown, blue-green breast cover and a long velvety black erectile cape covering his back. The female is a reddish-brown bird with brownish barred buff below. The young is similar to the female.
The species has an unusually low population of females, and competition among males for mates is intensely fierce. This has led the species to have one of the most elaborate courtship displays in the avian world. There are two main stages of courtship display. The first display, known as the initial display activity involves a series of relatively simple behaviours. The initial display is then followed by a more elaborate courtship show, known as the high intensity display. After carefully and meticulously preparing a "dance floor" (even scrubbing the dirt or branch smooth with leaves), the male first attracts a female with a loud call. After the curious female approaches, his folded black feather cape and blue-green chest feathers shield spring upward and spread widely and symmetrically around his head, instantly transforming the frontal view of the male bird into a spectacular ellipse-shaped creature that rhythmically snaps his tail feathers against each other, similar to how snapping fingers work, while hopping in frantic circles around the female. The average female rejects 15-20 potential suitors before consenting to mate. The show that males put on to attract females can be a long process that takes up many hours in a day.
LESSON studied these birds in their natural habitat during the expedition and was the first European to observe birds of paradise alive in the wild and was the first to describe a Bird of Paradise in flight when the voyage visited New Guinea in 1824. He brought back numerous specimens from the Australia, Moluccas and New Guinea. The voyage concentrated on the exploration of the Pacific Ocean, Australia, New Zealand, Oceania, Polynesia and South America. His classic monograph on these birds includes a synopsis of species with descriptions and synonymies and a treatment of each, at least 4 of which were new to European science.
A hand-finished engraved plate, heightened with gum arabic by Paul Louis OUDART (1796-1860) and Jean Gabriel PRÊTRE (1768-1849). Each illustration is numbered and signed by the illustrators. Like Redouté, OUDART was a pupil of the celebrated Dutch master Gerard van Spaendonck, and 'one of the outstanding French illustrators and bird painters' (Jackson op. cit p.382). He began exhibiting ornithological paintings at the Salon in 1819. PRÊTRE, worked at Museum d'Histoire Naturelle in Paris and provided the plates for many of the important French natural history works published in the first half of the 19th century: as Anker notes, 'these works were illustrated in accordance with the highest requirements of the time by artists such as J.G. Prêtre'.
Colour-printed engraving with hand-colouring, this print effortlessly captures the exotic beauty of one of the most spectacular of all Birds of Paradise. These almost 200 year old prints are much sought after by collectors of these amazing birds and very suitable for framing.
