A rare complete set of four antique prints showing in great detail the famous Arfak Astrapia Bird of Paradise, two males and one female. Published in Paris France in the year 1835 (first edition) in "Histoire Naturelle Des Oiseaux De Paradis" (Natural History Of Birds Of Paradise), the first and most comprehensive work on birds of paradise entitled until John Gould's great monograph started appearing 20 years later. By René Primevère LESSON (1794-1849), a surgeon, pharmacist, naturalist on the round-the-world scientific voyage of the corvette La Coquille (1822-1825), led by Jules-Sébastien-César Dumont D'URVILLE (1790-1842) and Louis-Isidore DUPERREY (1786-1865).
The Arfak astrapia (Astrapia nigra) is a species of astrapia, a group of birds found in the Paradiseidae family of the birds-of-paradise. In the wild, the bird has hybridised with the black sicklebill creating offspring that were once considered a distinct species, the Elliot's sicklebill "Epimachus ellioti". While some ornithologists still believe that this bird is a distinct species, possibly critically endangered or even extinct, many now think it was a hybrid between the two species. This scientific name, Astrapia nigra, consists of the words "astrapaios" meaning flashing or lightning, and "nigra" meaning black. It was actually the first species of astrapia to be discovered, so the generic name was first assigned to this bird. The Arfak astrapia is the third largest of its genus, being approximately 76 cm (30 in) long, including the tail. The male has a black head with a bluish-purple sheen, or iridescence, an elongated jet-black nape crests extending up along the sides of the neck up to the eyes on each side, a shiny, metallic greenish-yellow cape from the mantle up to the nape, very black, dense and elongated upper breast feathers, and an almost exaggeratedly long tail almost two times the length of its body. The female is less appealing, being dark brown over most of its body and a blackish head, and sporting much shorter tail feathers. The female is also exceptionally shorter than the male. The habits of the Arfak astrapia are very little known. The birds are found mostly in cloud forests at 1,700 to 2,250 m (5,580 to 7,380 ft) at the apex of the Arfak Mountains. Foraging habits observed include the birds probing fruits, mostly pandanus fruits, off of moss and epiphytes in the montane canopy. Arthropods also recorded in the diet. Breeding habits mostly unknown; female definitely builds the nests and tend the chicks, as with most other birds-of-paradise, though the exact rearing period is unknown. All that is known about the courtship display is that the males display on a branch upside-down with their nape crests spread out, dense breast feathers flared up, and tail standing vertically upwards above the branch.
LESSON studied these birds in their natural habitat during the expedition and was the first European to observe birds of paradise alive in the wild and was the first to describe a Bird of Paradise in flight when the voyage visited New Guinea in 1824. He brought back numerous specimens from the Australia, Moluccas and New Guinea. The voyage concentrated on the exploration of the Pacific Ocean, Australia, New Zealand, Oceania, Polynesia and South America. His classic monograph on these birds includes a synopsis of species with descriptions and synonymies and a treatment of each, at least 4 of which were new to European science.
A hand-finished engraved plate, heightened with gum arabic by Paul Louis OUDART (1796-1860) and Jean Gabriel PRÊTRE (1768-1849). Each illustration is numbered and signed by the illustrators. Like Redouté, OUDART was a pupil of the celebrated Dutch master Gerard van Spaendonck, and 'one of the outstanding French illustrators and bird painters' (Jackson op. cit p.382). He began exhibiting ornithological paintings at the Salon in 1819. PRÊTRE, worked at Museum d'Histoire Naturelle in Paris and provided the plates for many of the important French natural history works published in the first half of the 19th century: as Anker notes, 'these works were illustrated in accordance with the highest requirements of the time by artists such as J.G. Prêtre'.
Colour-printed engraving with hand-colouring, this print effortlessly captures the exotic beauty of one of the most spectacular of all Birds of Paradise. These almost 200 year old prints are much sought after by collectors of these amazing birds and very suitable for framing.
