Coastal profiles of Western Australia and Tasmania by Charles Alexander Lesueur, during the famous Nicolas Baudin expedition. Note the smoke rising from many fires along the coast lit by Aborigines.
In the age of sail coastal profiles were important aids to navigation, assisting mariners to recognise their location and determine their position along a specific coast. Coastal views were usually taken from approximately three miles out to sea together with an annotation of the point of the compass from which the profile was drawn, e.g. 'appearance from East North-East'
Terre Napoleon (Land of Napoleon) was the French name for southern coast of Australia that was was surveyed by Louis Baudin aboard LE GEOGRAPHE and Louis de Freycinet, commander of the CASURINA in 1802 - 1803.
This is an engraving based on one of several drawings made in Tasmania by Charles Alexander Lesueur, an artist on Nicolas Baudin’s expedition. Having participated in two scientific expeditions during the 1790s, Baudin was commissioned by the French government in 1800 to survey the Australian coast. The voyage, endorsed by Napoleon, was also tasked with studying natural history and making detailed scientific observations of Indigenous people. Consequently, Baudin’s vessels, Le Géographe and Le Naturaliste, were lavishly equipped, with twenty-two scientists among the expedition’s company. Petit and another artist, Charles-Alexandre Lesueur, embarked as gunner’s mates, but were elevated to official artist roles when the men initially appointed to those posts quit six months into the expedition. Lesueur focussed on the recording of landscape and species, while the depiction of the people fell largely to Petit, a Paris-born draughtsman who’d had some training in the studio of Jacques-Louis David. After surveying the western and southern coats of the continent throughout the latter half of 1801, in early 1802 Baudin’s ships called at the D’Entrecasteaux Channel, Bruny Island and Maria Island in Tasmania, where Petit made several portraits which have subsequently come to be considered important records of Indigenous life in the period prior to permanent European colonisation. From June to November 1802, the expedition was delayed in Sydney while the two vessels were repaired, providing the opportunity for Petit to complete portraits of people of the Cadigal, Dharawal, Gweagal, Kurringai and Darug language groups of the Sydney region.
View a interesting documentary about this expedition on youtube in the following link
