Rare and attractive chromolithograph after a water drawing by the famous Berthe Hoola van Nooten. The exquisite colour-plates, finished by hand, depicted a range of Java’s tropical splendour; its indigenous and introduced flowering trees, shrubs, decorative flowers and plants with edible fruits. Each brilliantly coloured plate is accompanied by a description of the plants and their culinary, medical and other uses in French and English. Van Nooten managed to accentuate the splendour of each species by adopting a style that combined great precision and clarity with a touch of neo-Baroque exuberance, revelling in the rich forms and colours of the tropics.
Berthe Hoola van Nooten (1817 - 1892) was the daughter of an Utrecht vicar. There is little on record about her young years, except that she was already fascinated by natural science and particularly skilled at flower painting. In 1838 she married Dirk Hoola van Nooten, and after their marriage, the couple travelled to the Dutch colony where Dirk Hoola van Nooten worked as a judge. Berthe often travelled between Suriname and Batavia (now Jakarta) with her husband, and it was during these travels that her interest in botanical plants and painting grew. Records show that she sent cultivated plants back to botanical gardens in the Netherlands.
Only nine years after her marriage and with five young children, van Nooten’s husband suddenly died in 1847, leaving her with large debts and a large young family. Unable to pay for the family’s journey back to the Netherlands, the young widow decided to take advantage of her compulsory banishment. Aware of the great interest in Europe for lavish illustrations of exotic fruit and flowers, she decided to produce watercolour plates depicting interesting plant species from Java.
After returning home to the Netherlands, she tried to get her watercolours publish but failed. It was only through the intervention and eventual patronage of the Netherlandish Queen Sophie Mathilde, wife of the Dutch King William III, who strongly supported the arts, that Berthe was finally able to get a selection of her paintings published in 1864. The exceptionally well executed chromolithographs were done by Pieter De Pannemaeker, the Belgian lithographer operating from Ledeberg in Ghent.
"Van Nooten was clearly a more than competent artist, for the splendid tropical plants, with their lush foliage, vividly coloured flowers and exotic fruit, have been depicted with great skill. She managed to accentuate the splendour of each species by adopting a style that combined great precision and clarity with a touch of neo-Baroque exuberance, reveling in the rich forms and colours of the tropics. The reader's eye is immediately captured by the dark leaves, shown furled or crumpled or partly nibbled away by insects, the delicately rendered details of the follicles and seeds, and the heavy clusters of flowers that cascade down the page. The excellent reproduction of the artist's drawings in the form of chromolithographs lends a tactile quality to these striking images."— Lucia Tongiorgi Tomasi
Despite three editions of the work being published during her lifetime, Hoola van Nooten died in 1892, poverty in Batavia, at the age of 74. The Hoola van Nooten family name is today respected in the Netherlands, and is listed in the Nederlands Patriciaat, a register of Dutch families who have played a significant role in Dutch society over the past 150 year.
